Preamp 1:
- EF86 Tube
- Mic input wit Cinemag CMMI-7 C input transformer http://cinemag.biz/mic_input/CMMI-7C.pdf
- This transformer has a 50ohm tap for those low impedance Ribbon mics!
- Switch to select 200ohm or 50ohm mic input (Ribbon mic option)
- High impedance input (100K)
- Gain control
- Output level control (So you can push the pre if you want)
Preamp 2
- 12AX7 Tube (or most varities of the 12xx7 family currently has NEC 12AD7)
- Mic input with Shure M68 input transformer
- High impedance input (500K)
- Gain control
- Output level control.
You can gang the 2 togeter, as with my other versions, if you want lots O gain. (Just jumper the output of one stage to the high impedance input of the other stage)
This version also maintains the 6BQ5 (EL84) output if you decide you want a low power tube amp. (Speaker level)
Here is a quick MP3 I stuck together. The LEFT channel is Preamp 1 (EF86), the RIGHT channel is Preamp 2 (12AD7). (So you can really mute each side to hear the difference) The acustic was recorded with 2 GXL1200 condensors placed as close together as possible and pointed between the sound hole and the 12 fret.
The electric guitar and snare were recorded with the same setup, The LEFT channel is Preamp 1 (EF86), the RIGHT channel is Preamp 2 (12AD7). HOWEVER we used 2 SM57s. The mics were just off center of the cone for the gutiar and about 4? away for the snare. This is a pretty ringy snare.
There are no effects on the tracks, of course the acustic needs some compression.
The 12ax7 stage is a bit sensitive for the stuff I record, so it breaks up a bit too much for me on the loud stuff. I think that Boris will like it as it is. For my stuff I would prob tame it down a bit, but that can always be done with a lower gain tube. I like to use a 12DW7 in these situations, they are unbalanced, and the first stage has very little gain.
*** >> Here is the MP3: <<***
AkaiRobertsTheBoris.mp3